I really approve the following exhibition: Olaf Breuning, August 25, 2007 until October 21, 2007 at the migros museum in zurich. Since the late 1990s, this Swiss artist (born 1970 in Schaffhausen, lives and works in New York) has produced quotation-rich works, which refer back to the imaginary visual memory of the West and its pictorial worlds. He has gained recognition through his films, staged photography, and colourful, huge-eyed, infantile sculptures and drawings, which comment on reality in a laconic manner. A primary element in his work is an artificiality, which each presentation and figure composition makes visible and in so doing opens up a large range of reception forms. In this substituting of each original and challenging significance, the image and subject combine to form a motionless, waiting coexistence in a theatrical adult playground of stage effects, upon which the works are arranged, shrugging their shoulders in the absence of a narrative superstructure.